Sunday, 7 March 2010

Track Review: Kate Nash - 'Do Wah Doo'

Out: April 12, 2010
She played her first live show in yonks last night, at Glasgow's Classic Grand venue, and her highly anticipated second album arrives next month. But what does the return of Kate Nash mean, really?

Well, upon first hearing 'Do Wah Doo' - the first offering from 'My Best Friend Is You' - it would seem nothing much has really changed for the dainty piano-pop princess, but in fact it has.

First of all, there are those 50s-hued guitar riffs up front, which instantly give this tune a consistent retro flavour to match the quirky, mile-high melodrama of its video.

Nash seems to have shaken off a little of that mockney twang - which her emphatic tendency to use caused great upset among critics first time round - while still speak-singing for the most-part. 

The production sparkles on this record, with layer upon layer of 'bam-ba-dam-ba' and 'do-bi-do-bi' the neat, kitsch gloss is painted on thick. But, as you'd expect from Bernard Butler, it works beautifully and feels like a natural progression from the simpler sounds of 'Made Of Bricks'.

Lyrically, lines like 'I'll just read a book instead/I don't care if we're just friends/I can hang out with myself' display the trademark quasi-feminist charm that will surely appease the insecurities her predominantly young, female audience - who have no doubt been pining for Miss Nash's return for some time.

It's more of a re-jig than a re-think; rejuvenation as opposed to a reinvention. It's bound to split opinion - like anything Nash does - but until the the album is in our hands, it's a nervous thumbs up from this corner.

Watch the video to 'Do Wah Doo' below:


Saturday, 6 March 2010

Video: Darwin Deez - 'Radar Detector'


Here at SCOUT, we love anything Darwin Deez. It only seemed right, therefore, that his bizarre video for the song 'Radar Detector' - from his forthcoming debut LP - got a mention.

Watch with delight as Mr Deez zips from skate parks to beach fronts to libraries, with a crown of single-use cameras adorning his uniquely freaky barnet.

The rising New York star is set to join Hurts and Everything Everything for this year's NME Radar Tour, kicking off next month. His self-titled first album is expected for release on April 12.

Good Shoes announce details of new EP

Good Shoes have revealed their plans for a new EP entitled 'The Way My Heart Beats' next month - currently scheduling an April 19 release date.

The mini-album will be the London four-piece's follow-up to recent full-length record 'No Hope, No Future' and showcases new songs 'Easier Easier', 'Run Away With Me' and 'Stand By'.

Click here for Good Shoes on Myspace

Friday, 5 March 2010

Radar Stars: Sam Airey

Welsh singer-songwriter Sam Airey is an untouchable troubadour whose knack for crushing heart-warming verse into delicate folk arrangements belies his mere twenty-two years on this earth.

Since leaving North Wales, drawn to the metropolitan flare of Leeds four years ago, Airey has been honing his craft, performing in countless small venues in and around Yorkshire - and beyond.

Influenced by a host of folk performers, tracks like 'Home' ironically have the ring of Appalachia, while lyrical themes on 'Row Upon Row' and 'Oh (When It's Gone)' stay much closer to his roots and to his heart.

SCOUT recently witnessed him warming up for Swedish folk duo First Aid Kit in Sheffield, where he quite simply floored the crowd with nothing more than his voice and an acoustic.

His debut recording, 'Season's Change' was released earlier this month. Follow the link below to listen to the EP in full - it's available on CD and as a digital download.



Thursday, 4 March 2010

Q&A: First Aid Kit's Klara Söderberg

Currently touring the UK with their debut album 'The Big Black & The Blue', folk duo First Aid Kit – Swedish sisters Klara and Johanna Söderberg – are taking town after town by storm.  On the road from Leeds to Stockton – ‘Wherever that is,’ adds Klara – SCOUT accosts the younger of the pair for a jolly good chin wag…

How has the tour been so far?
It's been good, and surprisingly busy I think. It's different every place you go, but we've just had really nice crowds at the last gigs we've played - it's great.

These are your first UK shows since releasing the album - has that changed anything?
Yeah, I think that the album being released has changed a lot. Going from being a band who've just released an EP to being a band who actually has an album out - I think that's a big change. I hope that with time more and more people will find it and more people will hear about us.

And how do the European shows compare to the ones you're playing over here?
Well, we've only really played Norway since the album came out - and we only did three shows there. I guess I'll have to get back to you on that one!

So, let's talk about the album - 'The Big Black & The Blue' - what was the approach you took, as a band, to making your first full-length record?
With the 'Drunken Trees' EP it was just like we wrote these songs and we kind of worked from there. It was never really a plan that the album would be about something special, or have a theme or whatever. Some of the songs are actually from the time when we did the EP but we didn't want to have them on there because we didn't think we could do them justice - with arrangements and stuff. I think with the EP it felt like we were just experimenting. Those were the first songs we ever wrote. So, I think when we made the album we were more confident with how we wanted it to sound. I guess you can hear that.

Since finishing the album, you've also left school - which you used to juggle with your musical endeavors. What effect is the extra time having?
Well, we actually finished recording the album while we were still in school, so we did it at weekends and in the holidays. I don't know how that really influenced us or the way we made the record - I guess we just really had to focus. It was good because after doing a song we would go back after a long time and say 'Ok, do we like this?' or 'Can we change this?' I guess we'll see what's going to happen when we can just make an album and do that full-time.

You seem to have a really good partnership with your sister, Johanna. Can you tell us how this works behind the scenes?
I write a lot of the songs and we also write together, then sometimes I start songs and we finish them together. It's always different - it's not like we have roles, like I write the lyrics and Johanna does the music or something like that. I guess Johanna arranges the songs more than I do - I'm more into the songwriting. I'm like 'Let's just have guitar and vocals on this one, that's enough' with every song, and Johanna's like, 'But maybe we could add something to it'. I'm like 'Yeah, whatever,' then we hear how good it sounds and it's great. I mean, we could both do it on our own but it just wouldn't sound like us.
First Aid Kit: Klara (left) and big sister Johanna (right)

Your dad is also involved a lot with what you do - producing the records and as your sound engineer at gigs. How does that work?
Well, musically, me and Johanna are definitely in charge *laughs*. He would never try to decide too much, and we wouldn't let him do that. He comes with great ideas and we say 'Yeah, sure', but when he comes with ideas we don't like, we're just like 'No' *laughs*. But it's really good to have different ideas. And our mum, she also helps out - we'll be like, 'Mum, what do you think of this?' And she's like, 'No, I don't like it'. We're all that honest with each other.

One thing we love about you, as a band, is the extra time you spend after gigs meeting fans, signing merchandise etc. Is all that stuff important to you?
Definitely. I mean, I enjoy talking to people so much, and meeting our fans - even the crazy ones - is really nice. I think it's important for us to show that we actually care about the people who come and listen to our music, because we really do.

Now, we all know you're Swedish - we can't do an interview and not mention it - so what makes you write songs and perform in English?
It's just the way it is. I don't know - it just comes naturally. I can't picture myself singing in Swedish, I don't really know why. I do write poetry in Swedish, but I guess with music I just think English. We listen to so much English and American music - it would just be weird doing it in Swedish. I don't know if it might feel too... personal? I don't know if that sounds weird...

Maybe doing it in English helps separate you, the performer, from just you, Klara...
Yeah, maybe a little. But it's still just me.

This isn't the first time you've come to England, so what made you want to come back?
Um... Marks & Spencer? *laughs* - They have amaaazing food. We just have lots of fun here. What I really like about playing the UK is how, after the shows, people really want to talk to us. In other places people are more shy. I really like that about England...

And is there anything about our country you don't like?
Oh, I couldn't say... *laughs*

Oh, come on - be honest...
No - I really can't think of anything.

Good answer. So when you're not touring, not recording, not writing songs - is there anything else you like to do?
No. *laughs* - Well... I don't know... um... we see our friends whenever we have time to. I was going to say I play songs with my little brother, but that's music as well! *laughs*. He's just six but we've made a few songs. Those ones are actually in Swedish because he hates when I sing in English. I don't know... the usual stuff...

You mentioned your friends - what do they think of you being in a band and touring the world?
Well, they're really supportive. It's hard - I don't think they know really how to react to it, or what to say. I mean, it's hard that we're away from them so much - but, of course, they think it's fun what's happening for us and stuff.

So, now that the album's been out a little while, are you beginning to work on some new material?
Yeah, sure. We haven't finished any songs but we do have a couple of ideas for songs. I'm really excited to get started with that - I think you have to be really, and I really am. I want to see, in terms of the production, what we can do with it. So, yeah, it's going to be a lot of fun. I don't have any clear ideas of how it's going to sound just yet, and I don't think we're going to stress it, you know, just recording something to have new stuff out. We'll take our time.

Finally... what's the best thing about being in First Aid Kit?
I think the freedom of working with my family, I really like - that we can be so open with each other. And we're just doing exactly what we want to do. It's good.

Click here for First Aid Kit on Myspace

Tuesday, 2 March 2010

Album Review: Ellie Goulding

Lights
The hype machine - always eager to propel new stars at unstoppable speeds - is an untamable force that can sometimes dash your hope of being successful, before time's even given you a chance.

To bright young thing Ellie Goulding, the PR wagon's been dreadfully kind so far, with unanimous plaudits rendering her the official 'next big thing' of the new decade.

It's quite natural then, with the release of 'Lights' - surely destined for the top spot in this week's album chart - that expectations are, perhaps unfairly, rather high.

The album delivers immediately on a number of counts; singles 'Starry Eyed' and 'Under The Sheets' being instantly familiar and glimpsing a songwriter skilled way beyond her 23 years.

But, despite the ideas being strong - and the production immaculate - there's little depth elsewhere on the record to give it the repeat-listen potential of her close rival Marina's first effort.

Next single 'Guns And Horses' opens the show boldly with one of the album's strongest chorus hooks, but fillers like the wafer-thin 'Every Time You Go' serve only to dilute this good work.

Surprisingly likeable is sweeping ballad 'The Writer', which, verging on schmaltz, showcases Goulding's versatile baby-doll voice, which soars from meek fragility to gutsy wail with ease.

Used almost as a musical instrument, much in the same way as Joanna Newsom's, it's this unique, cute-but-creepy larynx action that gives the songs their heart.

While even that's not enough to save some of the more mediocre tracks, it's quite evident that the hype, though perhaps disillusioned and exaggerated, is well deserved.

Ellie Goulding is a star, which highlights like the infectious 'Wish I Stayed' and 'I'll Hold My Breath' resolutely prove. There's just a faint sense that 'Lights' might have been rushed to the shelves.

Quite understandable when demand for this lady's so high at the moment, but given five or six extra months of writing there's every chance this could've been a phenomenal debut.

Gorillaz premiere 'Stylo' video online

Gorillaz have finally uploaded a video to 'Stylo', the first single to be taken from the new album 'Plastic Beach', out on March 8.

And yes, that IS Bruce Willis.

Click here to watch the video in full

Monday, 1 March 2010

The month that was...

February 2010
1. Paul Weller won the Godlike Genius prize at this year's NME Awards. The ceremony, held at London's O2 Academy Brixton on February 24, was hosted by Jarvis Cocker and saw Muse, Kasabian and Arctic Monkeys scoop top gongs.

2. The Killers cancelled a number of Australian tour dates when lead singer Brandon Flowers's mother was taken ill and later died. Ambiguous statements issued by the band fueled rumours they might be on the verge of a split.

3. Kate Nash resurfaced to announce that work on her long-awaited follow up to 2007's 'Made Of Bricks' was complete. The singer allowed fans to download one of the album's tracks 'I Just Love You More' for free. The album is due out on April 19.

4. Liam Gallagher embarrassed himself at this year's Brit Awards when he tossed into the crowd the special Best Album Of 30 Years award his former band Oasis had won. In addition, the cocky Mancunian deliberately 'forgot' to mention his brother Noel - the band's principal songwriter - in his acceptance speech. Florence & The Machine took home Best Album for 'Lungs' while Ellie Goulding was the Critics' Choice.

5. Marina & The Diamonds released her debut album 'The Family Jewels' on February 22 to generally very positive reviews - click here for SCOUT's. She also made a number of TV appearances and performed live with Biffy Clyro at the NME Awards.

Friday, 26 February 2010

Two Door Cinema Club tour dates

Two Door Cinema Club are supporting the release of their debut album with a decent-sized tour of the British Isles.

Hitting the road on March 9, the tour comprises a string of shows throughout the month. Meanwhile, the album 'Tourist History' is out on Monday, March 1.

The tour dates:


March
9 Bristol, Thekla
10 Leeds, Cockpit
11 Sheffield Academy
12 York, Fibbers
14 Glasgow, King  Tuts
15 Newcastle, The Other  Rooms
17 Birmingham, Academy  2
18 London, Hoxton Bar & Grill
19 Oxford, Academy
20 Manchester, Deaf  Institute

Watch the brilliant video to latest single 'Undercover Martyn' below:

Don't forget: The NME Awards are on TV tonight

This year's NME Awards show will be broadcast on television later tonight. The ceremony, held at London's O2 Academy Brixton on Wednesday will be shown on Channel 4 at 11.25pm.

Featuring live performances from The Maccabees, Marina & The Diamonds and Kasabian, it's guaranteed to be worthwhile viewing. Arctic Monkeys and Muse were among the winners.

Click here for a full list of this year's winners